Characters in three parts.
It’s been a while since I wrote about writing itself, so we’re overdue. I said I’d tell you what James Patterson taught me about characters a while back. I never did, did I? Let’s fix that.
There’s nothing in the average Patterson-branded novel that reinvents the wheel from a plot or prose standpoint. If anything, Patterson’s taken some hell from writers like Stephen King for publishing middle-of-the-road, generic stories that anyone could have written. I’d argue this is the point since Patterson operates a fiction factory and is not a traditional author. Artistry comes in different forms, and Patterson’s has to do with streamlining a production process.
Anyway, this isn’t to say Patterson doesn’t recognize a good book when he sees one. And he does have secrets that, if you’re not an experienced writer, you could do well to learn. Check out his MasterClass if you don’t believe me. He does a lot of meandering in his lessons, but there’s good stuff in there.
But I told you I’d give you one secret for free, right? Okay, here goes. When creating a memorable character, give them three primary traits readers can hold onto. The character’s occupation can always be one, but try to dig a little deeper. What’s interesting about that character that you want people to remember? That’s what you’re looking for. Boil it down. Choose only the best stuff.
Those three traits are enough to engage, intrigue, and involve a reader. Make them good.